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God bless America. God save the Queen. God defend New Zealand and thank Christ for Australia.

I don't make demands. I don't tell you how it should be. I'll give you options, and it's up to you to select or throw 'em away. That should be the headline: If you're insecure, don't call.

I really feel sorry for people who are, who divide their whole life up into 'things that I like' and 'things that I must do.' You're only here for a short time, mate. Learn to like it.

I'd move to Los Angeles if New Zealand and Australia were swallowed up by a tidal wave, if there was a bubonic plague in England and if the continent of Africa disappeared from some Martian attack.

I'm an intense bastard when I'm doing my job. I don't suffer fools and I don't wanna fuck around. I want you to be ready and prepared. Let's go, man. If you come to that set and you don't know your lines, what the fuck have you been doing? You don't deserve the job.

I'm not one of those fellows that is just going to have a psuedo-middling relationship.

If I don't get the goose-bump factor when I'm reading it than I can't do it.

Living in LA would be like unrolling my swag in the office. I just don't think it would be healthy, mate.

Meg Ryan is a beautiful and courageous woman. I grieve the loss of her companionship but I've not lost the friendship. We talk all the time and that was what our connection was about. She has a wonderful mind and we just like a chat.

People accuse me of being arrogant all the time. I'm not arrogant, I'm focused.

Reality is, I'm an actor and an entertainer, and I really wouldn't know what to do with another profession.

Some of the things you read you get an immediate reaction to so I've stopped reading things now. I do worry about my family though. Some people do try some nasty things to get at them and try and get a reaction from them.

The important thing to me is that I'm not driven by people's praise and I'm not slowed down by people's criticism. I'm just trying to work at the highest level I can.

The people who don't have a good relationship with me from a good performance point of view are very few and far between.

There's nothing like sitting back and talking to your cows.

When I was a little kid, I used to really embarrass my parents.

One of the most painful things of the LA Confidential character I played was that the author, James Ellroy, kept telling me that Bud White wasn't a drinker. I said, 'come on, this is 1953. He's a blue-collar bloke, a cop. You're telling me he doesn't sit around with the boys after his shift and have a beer?' And Ellroy says, 'absolutely not.' So for five months and seven days I didn't have a drink. It's probably the most painful period of my life.
[on winning the Best Actor Oscar] If you grow up in the suburbs of anywhere, a dream like this seems kind of vaguely ludicrous and completely unattainable. But this moment is directly connected to those imaginings. And for anybody who's on the downside of advantage, and relying purely on courage, it's possible.

It's not really what I'd call a movie. I was stunned that Miramax wanted to buy it. I mean it's really rude. It showed me in a really bad light. It's also shoddily made. It's cobbled together. -- expressing surprise that a low-budget documentary of his band, 30 Odd Foot of Grunts, has been picked up for worldwide distribution.

I'd move to Los Angeles if Australia and New Zealand were swallowed up by a huge tidal wave, if there was a bubonic plague in Europe, and if the continent of Africa disappeared from some Martian attack.

I felt this tap on my shoulder and I turned around and, you know that De Niro fellow? Well, he didn't say a word. He didn't say 'Hello', 'Good evening' or anything or 'Hi, I'm Robert'. He just looked at me and he nodded his head and he smiled. And he walked off. - About meeting Robert De Niro.

You don't have to like an actor to do a scene with him. You don't have to like a director. But it's just better if you do. And I think, you know, you've got to begin that with respect.

All that stuff, this public persona of me - let's call him 'the wild man' - that is not helpful. It doesn't make me more of a box office draw. It's the quality of my work that makes people want to go to my films.

I always say I've given 24 insufficient performances and I'm looking forward to the time in my life when I'll do something that I think is good. There's always stuff you can do better, stuff that maybe you didn't uncover enough. But if you do something that you truly believe is perfect, then that's got to be the last movie you do.

I'd like to play passionate women, but no one will let me.

If there's anything about someone's life that's important enough to make a movie about it, I have to take responsibility to get all of it right. It's a huge responsibility.

The older I get, the crotchetier I'm going to get about that integrity. I don't think, just because you have the public's attention, it's now a prerequisite for you to completely sell out your moral center. I don't think that's OK. If I ever stop being the guy that can answer your question straight and look you in the eye and give you my opinion, then I should stop making films.

I'm still excited by it. I still love the process. I want to make movies that pierce people's hearts and touch them in some way, even if it's just for the night while they're in the cinema; in that moment, I want to bring actual tears to their eyes and Goosebumps to their skin. That's what motivates me, and it may sound strange but if you're not focused on the audience, why are you bothering to make a movie?

He has disappointed me many times over the past years. [About Robert De Niro]
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