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As for poker, I've stayed away from that, even though when I was in Vegas for Ocean's Eleven, I would get accosted by these guys begging me to play. They just want to take my money. They see me, think "actor" and see some easy money.

Eventually stardom is going to go away from me. It goes away from everybody and all you have in the end is to be able to look back and like the choices you made.

For Ripley I learned to play some songs on the piano, and I never really played them again.

I honestly if I get a vacation I'm gonna go and sit on my couch in New York cause that's the one place I haven't been for a very long time.

I never wanted to do the same kind of movies over and over anyway, so my theory on it all is I'm just gonna try and dodge the label and keep doing what I am doing.

I think it's still hard for me to turn down work if it's really good because for so many years I was so desperate to get a job and couldn't and so it's kind of an anathema for me to turn down work.

I want to do is a character-driven porn movie. It's all going to be about characters, and the porn's gonna grow all out of the character's and it's going to serve as character development.

If anybody wanted to photograph my life, they'd get bored in a day. 'Heres Matt at home learning his lines. Here's Matt researching in aisle six of his local library'. A few hours of that and they'd go home.

It's usually the exact same three things which are, the Scripts, the Director and the Role those are the three things I look for and really any two of them, If I get two of them that's usually enough, but definitely those are the things I look for.

Right before The Bourne Identity came out, I hadn't been offered a movie in a year. Because The Legend of Bagger Vance had come out and bombed and All the Pretty Horses had come out and bombed.

Success is not something I've wrapped my brain around. If people go to those movies, then yes, that's true, big-time success. If not, it's much ado about nothing.

You become the poster child for tabloid magazines and once you're in their crosshairs, it really does put a stranglehold on your career because nobody wants to read about you every day in these magazines and then pay ten bucks to see your movie on a Friday night.

On The Bourne Ultimatum: If you have any ideas for a script, please, call Universal! We've gone so far from the book. Ludlum wrote it as a trilogy and we've really kind-of ignored that plot because it's very Cold War. And so in the updating process we kind-of threw out most of what he had so we're kind of on our own to find a third one. Bourne Ultimatum is the third one and I feel like I've given ultimatums in both the first two!

Some people get into this business and they're so afraid to lose anything. They try to protect their position like clinging to a beachhead. These actors end up making really safe choices. I never wanted to go that route. If I go down, I'm going down swinging. I know that's the way Heath Ledger feels and Ben Affleck feels the same way, too. We want to take the big swings.

If your movies don't perform, they just stop calling you.

I found myself getting more publicly shy when the gala events and big crowds started. Some people embrace it. To me, it's not worth enough to risk my private life being public.

I'm not being a monk. I live my life in New York. I have a girlfriend [Luciana Barroso]. But it's not cost-effective for paparazzi to follow us. They can get one picture of us walking down the street.

Now I feel I have an unspoken deal with the paparazzi: 'I won't do anything publicly interesting if you agree not to follow me.'

I'd love to be a dad. I hope I'd be great at it. That's every man's fear, yet his most important job.

On The Bourne Ultimatum (2007): We're all signed on in principle, in the sense that we've all agreed that we want to do it, but we're not going to do it unless we have a great script. It's ours to lose at the minute, and, if we do make a third one, we want to make it as good as the first two. And if we can't do that, then we're going to have to let it drop".

On The Bourne Ultimatum (2007): If you have any ideas for a script, please, call Universal! We've gone so far from the book. Ludlum wrote it as a trilogy and we've really kind-of ignored that plot because it's very Cold War. And so, in the updating process, we kind-of threw out most of what he had so we're kind of on our own to find a third one. Bourne Ultimatum is the third one and I feel like I've given ultimatums in both the first two!
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