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Discussing possible casting choices Mel Gibson and Nicolas Cage for Three Kings (1999) before he had signed to the movie: "Luckily, both those guys were tied and gagged in my apartment, and that was a problem for the casting department.

After doing One Fine Day and playing a pediatrician on ER, I'll never have kids. I'm going to have a vasectomy.

America can't beat anyone anymore.

Do you want the truth or the politically correct version? The truth is that I go plastic, it's so much easier. And I like to put the bags over my head at night when I sleep, which I think all the kids at home should try. Kidding!!

I decided if I walk outside and get hit by a bus, everybody'll say, 'He crammed a load into 34 years.'

I don't believe in happy endings, but I do believe in happy travels, because ultimately, you die at a very young age, or you live long enough to watch your friends die. It's a mean thing, life.

I don't care. Charlton Heston is the head of the National Rifle Association. He deserves whatever anyone says about him.

I don't like to share my personal life... it wouldn't be personal if I shared it.

I grew up in the world of bad television, on my dad's sets and then as a young schmuck on dating shows and so on.

I resolve not to drink liquids before donning the Bat-suit.

I'd think,' In a relationship, we should never have his kind of fight.' Then, instead of figuring out how to make it work, I looked for a way to get out of it. The truth is, you shouldn't be married if your that kind of person.

I'm a Method actor. I spent years training for the drinking and carousing I had to do in this film.

I'm certainly the last person to give advice on, well, anything.

I'm not smart enough and I don't know enough about what's going on.

I'm only two years older than Brad Pitt, but I look a lot older, which used to greatly frustrate me. It doesn't anymore. I don't have to fit into that category and get trounced by Tom Cruise and Brad.

I'm really white trash.

I'm the flavor of the month.

People thought I was Tom and Nicole's bodyguard. They'd come up and go, "Is it okay if I go up and ask for an autograph? It was good. I'd charge 'em three bucks a person. Yeah, you gotta make some money off of that."

Run for office? No. I've slept with too many women, I've done too many drugs, and I've been to too many parties.

The funniest thing is that all the things every director goes through, I thought I could shortcut, but there was no getting around those issues.

The government itself is running exactly like the Sopranos and they sit back and they make deals. And they say okay, 'I'm going do this: France, you're getting the pipelines.'

The only failure is not to try.

There's no connection between al-Qaeda and Iraq.

They say I was a bad Batman, that it was my fault, that I buried the franchise. But the truth is, it was a big project. I was pretty intimidated in that world. I did the best I could in the situation I was given.

We moved away from what we were going after which was the al-Qaeda and there's no connection between al-Qaeda and Iraq, which we know, we spent a lot of time trying to prove it and it didn't happen. And we're going to go into a war and we're going to kill a lot of innocent people.

We're picking on people we can beat.

When you're young you believe it when people tell you how good you are. And that's the danger, you inhale. Everyone will tell you you're a genius, which you are not, and if you understand that, you win.

You have only a short period of time in your life to make your mark, and I'm there now.

You make a lot of films, do you? You make a lot of films yourself? Yeah, I'd like to see you make a film first before you get to talk about it. What a jerk.

I don't like to share my personal life... it wouldn't be personal if I shared it.

I was too busy breaking up Tom and Nicole's marriage. -on the fact he had nothing to do with the breakup of Julia Roberts and Benjamin Bratt.

Speaking about the 2003 Iraq war: You can't beat your enemy anymore through wars; instead you create an entire generation of people revenge-seeking. These days it only matters who's in charge. Right now that's us -- for a while at least. Our opponents are going to resort to car bombs and suicide attacks because they have no other way to win. ...I believe (Rumsfeld) thinks this is a war that can be won, but there is no such thing anymore. We can't beat anyone anymore.

It's not about an opening weekend. It's about a career, building a set of films you're proud of. Period.

Ninety percent of films are pretty mediocre, but they have a built-in audience and open on 3,000 screens.

Confessions Of A Dangerous Mind (2002) bombed. But I can take it. Most of the films I've done haven't done particularly well. I'm surprised I'm continuing to work.

Directing is really exciting. In the end, it's more fun to be the painter than the paint.

I don't believe in happy endings, but I do believe in happy travels, because ultimately...you die at a very young age, or you live long enough to watch your friends die. It's a mean thing, life.

We've been trying to push our involvement within the studio system, sort of push the things that we've learned from foreign and independent films through the 80s and push those things back into the studio system. Like Out of Sight (1998) isn't your standard studio film by any means; Three Kings (1999) wasn't the' standard Warner Bros. kind of film.

directors are the captains of the ship, and it's your job as the lead actor to make sure that the rest of the cast understand that by doing whatever he says.

See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day (1996), I wasn't offered that. So you're still in that 'hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.

You got to think of things at their worst, not at their best. And Out of Sight (1998) was the first time where I had a say, and it was the first good screenplay that I'd read where I just went, 'That's it'. And even though it didn't do really well box office-wise - we sort of tanked again - it was a really good film. And I realised from that point on that it was strictly screenplay first. And then it becomes easier because once you eliminate the idea of doing a vehicle ... believe me, there's nobody who's encouraging us to make these films, not agents, not ... we're not getting paid for these things, and it's not like we're going to make a mint.

On making Ocean's 11 (2001) : It was the easiest shoot ever for any actor, and we all knew it when we were doing it. We were like, it's never going to be better than this. He [Steven Soderbergh] was in hell because it was a really complicated film to put together. We were like, we're in Las Vegas, we go to work at one in the afternoon and we gotta be done by six at night. Six hours of work. Steven was editing all night.

I'm a hybrid. I succeed in both worlds. I hope that selling out on 'Ocean's Eleven' is not such a bad deal. The trade-off is, I get to go make something uncommercial that will probably lose money.

Steven [Soderberg] and I have a great relationship inside the studio system. We make the kinds of films we want and commercial films at the same time. Steven and I have lost a lot of money. We are way in the hole. But this is not a day job. I've got some cash. I have a nice house in Italy. I do OK.

It's true information is harder to get these days. When I was growing up there were three networks - three news shows, delivering the same information. You took that information into your home and you formed your own opinions. Now we have 130 channels. You go to the channel that plays to your belief pattern. We start with different sets of facts, it's more polarizing.

I'm not a snob, I like entertaining films as well. But when you do a film like this, or like Three Kings - films that get you in a bit of trouble - it's fun to open up a debate. [on Good Night and Good Luck]

I think, if you listen to the piece, I certainly did not talk about wanting to kill myself. I was talking about the idea of living for years in that kind of pain. Please don't use my words out of context. [Responding to media reports that he had contemplated suicide following surgery]
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